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Art of Saving Our Sculpture
 

County Main Courthouse
419 Pierce Street, 2nd Floor
Tampa, Florida 33602
Phone: (813) 276-2536

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Memoria In Aeterna, 1911

The Condition Assessment

The County and SOS! jointly funded the work of the Conservator who met several times with the volunteer Memoria In Attorney Community Conservation Advisory Committee and sculptors for briefings and site visits regarding conservation and treatment possibilities. As Mr. Maseman conducted several preliminary instructive meetings, the sculptors and volunteers participated in interesting dialog, reviewing the sculpture's emotional history and condition. The Committee agreed with Mr. Maseman's goals for this project: 1) to clean, conserve and stabilize the marble sculpture, and 2) to restore the surrounding landscape to reflect the original site.

"The restorative undertaking for Memoria In Attorney or any historic sculpture, must be carefully executed in order to maintain the integrity of the existing piece. The treatment is not designed to "restore" the sculpture and make it appear like new. Therefore, the missing rifles would not be replaced. Importantly, any treatment performed on the sculpture would be based upon: minimum intervention; provisions to reverse all treatments, and the goal to retain the original artist's intent."

"It is important to understand that sculpture conservation involves many aspects besides the actual treatment of the art work itself. The sculpture's relationship to its location needs to be understood. Has it become a part of the history of the community? Does it enhance or inhibit the everyday flow of people past it? Future uses of the surrounding location and the sculpture should be developed. The stability of the sculpture's base and the surrounding ground must be assessed. The causes and rates of any deterioration found during the assessment should be determined. Only at this point will it be possible to establish a plan for any needed treatments and future maintenance requirements. For Memoria In Aeterna it was necessary to integrate any plans for the sculpture with the planned improvements in the landscaping of the courtyard in which the sculpture is found. Also, more interpretive signs in the area would be helpful for the public's appreciation of the sculpture's place in Hillsborough County's History."

"The treatment plan involved a gentle cleaning of the sculpture's surface and its base and replacement or improvement of the waterproofing seam fillers in the base. This plan also included the creation of a maintenance plan to help the county monitor and care for the sculpture in the future."

-- John Maseman, 1996
Professional Associate, The American Institute for Conservation of Historic and Artistic Works

 

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